Future (feat. T.I.) - Magic (Freebandz/Epic, 2012)
Future and Tip chill out on the top of Magic City for the latest single from Future’s Pluto. Even though I don’t like this version as much as the original T.I.-less version found on True Story, it’s always to great to get new visuals from the Askranawt Kid.
Young Dro - Equestrian Dro (Grand Hustle, 2011)
Young Dro is not a mixtape rapper - he never will be. But while we await the arrival of P.O.L.O. in April, this official (and highly uneven) mixtape full of mostly new material should give his fanbase at least a couple joints to hold them over until that shit finally drops. Thankfully, since Yung L.A. got booted from the label, he’s not singing anymore! He’s also rapping well, as can be expected.
Young Dro (feat. Gucci Mane & T.I.) - Freeze Me (Mr. E Remix) (Grand Hustle, 2010)
This is the real video of the remix, featuring Gucci and Tip standing next to eachother for the first time, yet it’s a remix of the remix. With all the different beats, this version is a bit more exciting than the original remix which kept the original beat for all three verses, but switches it up multiple times here.
Killer Mike (feat. T.I.) - Ready Set Go (Grand Hustle, 2010)
The best song on Fuck A Mixtape (which wasn’t actually a T.I. song, ironically) gets the visual treatment here, and nothing’s changed: Killer Mike is still a monster (both physically and lyrically), and the No I.D. produced beat is still a scorcher. I remember that Fuck A Mixtape left me with a rather sour train of thought on what was once King Uncaged, but No Mercy actually ending up being an above average album (far better than Paper Trail at least), even if Clifford’s Shakurisms drive me batty quite frequently and every song includes T.I. talking about how he gives girls insert player cliche here and dick.
Vado (feat. Young Dro) - Polo (Asylum, 2010)
They say “Dro, you eatin’ good with your fat self/but you’re still lookin’ real fine with your black self”
T.I. - Ya Hear Me (Grand Hustle/Atlantic, 2010)
When did Clifford recruit The Roots as a backup band?
*is pelted with tomatoes and booed relentlessly*
Alright, alright. This is really, really bad, regardless; and I’m just really confused what’s going on here. T.I. is rapping over live instrumentation, and it doesn’t flow in the slightest sense. Whoever is performing is better-suited for Late Night Television (no, that’s not another shot and ?uest and co.), while T.I.’s rapping about the Joker and dumptrucks quite embarrassingly. I used to be a big supporter of T.I. before Paper Trail came out - I even enjoyed T.I. Vs. T.I.P. more than anyone rightfully should (mostly because Hurt was a monster, and that Just Blaze song was insane). It’s quite obvious by this low-budget video that Atlantic is very weary with Tip, as this features none of the usual yachts and video broads that come accompanied with Tip songs. I just can’t express how uninteresting this song is - T.I. doesn’t sound excited in the least bit to be rapping here, and the band just sucks.
This Rich Kid Shawty single is better, but I think he’s actually rapping better on it than T.I. is, which just makes me depressed.
trxncvt asked: who's more underrated and why, young dro or rich boy?
well, I’m actually a fan of both, but I’m not that avid of a Rich Boy listener. I really enjoyed his debut LP, and I think he’s a pretty dope rapper when it boils down to it, in the same mold of a young Tip. Yeah, he’s a dopeboy, but he’s a dopeboy with a heart and a lotta passion. I heard a little bit from his mixtapes, but for some reason, I never really followed Rish Bwoi past 2007. Let’s Get This Paper is a banger though. Also, Polow Da Don really helped out Rich Boy on his album a lot by giving him all those beats; I wish he was still producing some Throw Some D’s soul-sampling beats instead of garbage like Spotlight.
Young Dro is a great technical rapper, another rapper who has honestly released a fantastic album and some inconsistent mixtapes along the way. Best Thang Smokin’ is one of the best purely-rapped albums of the last ten years, and Dro’s obsession with colors, cars, seafood, and dressing like our grandfathers made him stand out when he debuted amidst a bunch of Jeezy and T.I. rip offs. Oddly enough, he was referred to as the latter a bit by mainstream publications, but Dro never really reminded me much of T.I. at all, as their style is vastly different. I’m a much bigger fan of Dro than Tip (especially nowadays), but Dro’s been kinda uneven for the last four years or so. Due to the fact that his sophomore album has been in developmental hell for so long, Dro’s tried everything he can (which unfortunately includes singing) to try and get noticed again, when it’s pretty obvious he’ll never be commercially viable again, or score a hit like Shoulder Lean. He’s still one of my favorite rappers though, and in my opinion, probably the most underrated rapper alive, at least when it comes to backpackers and the like; not people who care about rapping, like noz and his disciples, who champion Dro to the end.
However, perhaps just by saying that, I’m missing the point entirely. Who do I enjoy more, and find to be a far more talented artist? Young Dro. Who’s more underrated? Probably Rich Boy, because people at least care about Dro (and even though he’s underrated and misinterpreted, people still care), meanwhile, Rich Boy is a dope rapper that’s looked at as nothing more than a one hit wonder by everyone, in real life and on teh internetz. I don’t think anyone’s even thinking of Rich Boy; I’ll be honest, this is the first time I really heard dude’s name mentioned since Drop, and all I remember that for is the beat.
The most underrated rapper alive (sorry AZ, Styles P, and Freeway) hooks up with one of the most annoying DJ’s in the industry to release a tape with horrible artwork and great music within. This is no Day One or Best Thang Smokin’, nor is it I Am Legend; however, it’s far better than last year’s mess of a mixtape, R.I.P. Seeing as Day Two is on the way, and P.O.L.O. can’t get a solid release date/even some cover art, this is the most solid and consistent body of work we’re gonna get from Dro for awhile. It’s not phenomenal throughout, but it does show the signs of brilliance that Dro is known for. Also, that Successful cover finally finds its way to mp3 form here in all its mixtape level glory. DRO
T.I. isn’t a rapper I cover often on on Rush To The Yayo, for a gang of reasons that probably aren’t very obvious. I’m not mad at T.I. because he can’t rap well; he’s one of the best rappers alive in any medium, at least from a technical perspective. I don’t dislike him because he’s most likely a Condidential Informant; who cares if he’s a snitch? Same story with Ross and his CO past, it’s not about their lives, it’s about their music. It’s not because he’s left the trap behind him, although I think that King and the three albums predating it are easily the highlights of his career, and come from a time where I would’ve said with great pride that T.I. was my favorite rapper. He just doesn’t have a very good ear for beats anymore, and keeps making pop records that I never thought he’d conform to 4 years ago when he was at the pinacle of his popularity.
When I saw this horribly titled song today, I almost didn’t check it, but the Justice League production and prospect of a funny Rick Ross verse were enough to win over my curiousity. This sing is actually really fucking good; the beat bangs, and T.I.’s far more interesting when he’s boasting about how great he is without Keri Hilson on the hook, and Polow Da Don on the beat. Rick Ross drops a decent guest verse, but can’t show up the King on this track. Although I’m still not excited about King Uncaged, this track shows me that maybe there’s still a chance it’ll be salvagable.
Contact Me:
Email - yayodancing@gmail.com
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AIM: KingEvo101
Twitter - @yayodancing
