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Future - True Story (Review)


(Freebandz, 2011)
- by Yayo

Future is almost solely the reason I came back to blogging. During my hiatus, I stumbled across Dirty Sprite, after noticing a few friends highlighting the Atlanta rapper’s ode to codeine and pop beverages. Future, whose real name Nayvadius Cash is envious in its strength, was exactly what I’d been looking for in a world crowded by lo-fi bedroom rap and post-Waka trap music. He was just street enough to appeal to the dopeboys and critics infatuated with the lifestyle, while possessing pop sensibilities that allowed him to a crossover success with Racks and Tony Montana.

There’s no denying the fact that Future can make hits. His signature croak, a deep-bellow that is far more sinister than Wayne’s, but not quite as bombastic as his bigger figured peers, give his raps a distinct sound. His sometimes autotuned-assisted hooks work because Future’s God-given voice doesn’t derive too far from the pitch corrector’s often maligned sound. It’s often hard to tell where the autotune starts and ends for Future; sometimes it’s questionable if it’s used at all, or if Future is taking vocal cues from Kermit the Frog.

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Young Jeezy (feat. Future) - Way Too Gone (Def Jam, 2011)

Jeezy’s TM103 could’ve been a lot worse than it ended up, but thanks to some smart production decisions, as well as a decent cast of guest appearances to help lift the load (no Alley Boy), it is a solid entry in Jeezy’s catalogue, if nothing else. It is undoubtedtly the worst album Jeezy’s released to date, and he is little more than a shadow of his once dominant self, but we know those odds are often defied in the world of rap.

Perhaps the moment that glistens the brightest on TM103 is the Mike Will-helmed, Future assisted Way Too Gone. Way Too Gone starts off strangely enough with Jeezy’s voice run through a filter, the volume adjusted a few decibles below where it should be, making you question if you just downloaded a faulty copy of the album. The Mike Will Made It tag comes in, and the next four minutes are glorious. Jeezy’s hook-making ability is strong here, as it is often on the album, and Mike Will’s lushly-trap instrumental adds a lot to the atmosphere.

Future obviously kills it on the last verse - I’m really surprised he wasn’t given hook duty, but I guess Jeezy didn’t want shown-up that badly. As much as I like 2 Chainz, it’s funny seeing his feature Supafreak trying to follow this. Neither the beat nor 2 Chainz’ verse can compete with the combination of Mike Will and Future - potentially the most potent duo in all of rap at the moment.

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B.o.B (feat. Future & Trae) - How Bout Dat (Mixtape, 2011)

Bob released his most recent offering, EPIC (Every Play Is Crucial) *sighs* today, and it’s got a few surprises on it. Aside from featuring Playboy Tre on two tracks instead of his obligatory single guest features (Bob’s treating Tre like he still matters in Bob’s world, so that’s commendable. T.I. should take notes pertaining to Dro), 2 Chainz and Future pop up. 2 Chainz isn’t too shocking, but I really didn’t think Future was in Bob’s linear world of rap. Either he discovered him on the radio when he was visiting his family in Atlanta for Thanksgiving, or Bob’s an even bigger Dungeon Family nerd than I knew. Or maybe he just refers to him as that “Tony Montana guy.” I dunno, I just don’t like these worlds crossing (especially since FUSCHIA is making pop-rap that Bob only wishes he could make).

Regardless, aside from Bob being his boring self and Trae whispering, Future does carry this track to some solid ground with a strong hook (that’s pretty trappy for Bobby Ray, odd considering Future’s experience at crafting those lovey-dovey hooks Bob gives Bruno Mars cocaine money for) and a verse about his favorite beverage. From what I’ve heard of the Bobby Ray tape, it’s not terrible if you like that stuff. You really shouldn’t be here if you like that stuff though.