Text

No Jumper Catch-Up

In case you didn’t know (possible, we’re working pretty much on the DL anymore), No Jumper has been back for about two months. I’ve posted most of what I’ve written, but our other contributors have written a lot of great stuff too. There’s a lot more coming soon, and possibly even a big change that I can’t quite discourse details on just yet. As always, many thanks to our supporters, and fuck everyone else. Blogger Sweatshirt running wild. 

Feminine Pressure: A Brief Summary Of Ladies Rapping in 2011 (Maxwell Cavaseno)

Das Racist As An Indie Band (Frank Irby)

Kitty Pryde Interview (Maxwell Cavaseno)

Danny Brown - XXX [Review]/Max’s Year End Perspective (Maxwell Cavaseno)

Lord Perm Speaks: Vol. 2 [Common/Drake Beef] (Lord Perm)

Video

Drake (feat. Lil Wayne & Tyga) - The Motto (Young Money, 2011)

How Wayne manages to look the most suspect in a video with Drake and Tyga, I’ll never know, but the video itself succeeds thanks to some finely timed cameos and Tyga’s weird methods of space travel. 

Also, Chase N. Cashe. Seriously, this dude’s work as of late has been excellent, and I can’t wait for 2012, which will undoubtedly be an even bigger year for his production. 

Photo
Drake - Chop Care (Swishahouse, 2011)
OG Ron C’s latest masterpiece is gonna be a controversial one.

Drake - Chop Care (Swishahouse, 2011)

OG Ron C’s latest masterpiece is gonna be a controversial one.

Video

Kendrick Lamar - Buried Alive (Young Money/Universal, 2011)

I know a lot of people have really praised this verse, and for great reason. From the moment I first heard it, it sent chills running down my spine, and continues to upon each subsequent listen. I’m not sure if anyone’s really discussed all the elements that really make this not only a fantastic verse, but one that’s absolutely twisted.

Kendrick Lamar was rumored to have issues with Drake for years - so far as subliminally threatening him on Look Out For Detox  - and I certainly believe there’s truth to those rumors. Drake, at least during Kendrick’s rise to underground prominence in 2010, seemed to represent almost everything that Kendrick seemingly despised. On O.D., still one of the best albums in recent years, Kendrick was a struggling young man from Compton who was too wise to get caught up in the streets, and far too rough around the edges to fit in with the mainsteam mold at the time. He’s changed a bit (Section 80 is about as safe as you can get after O.D.), and it seems his views on Toronto’s own has as well. This maybe due to Drake reaching out to Kendrick personally, though.

Kendrick is literally calling Drake the death of me on Buried Alive. By that, he means the Kendrick of old, the kid who once went by the moniker of K-Dot and was virtually unknown out of LA underground circles (and a small part of the C-Section at 2DopeBoyz). He details the encounter of meeting with Drake for the first time, and all the joys of commercialism that Drake promised him if he were to make that leap. Kendrick expresses great regret, remarking how he has been leading a double-life as of lately due to his underground appeal and recent mainstream acceptance. At the end, the former dies, and from the ashes rises the phoenix that crafted this brutally honest verse.

Kendrick has had a great year in the public eye, but quite the rough journey when it comes to discovering himself as both an artist and person. Buried Alive perfectly chronicles this split-diagram, and may stand as the best verse of the year when it’s over.

I will be writing about Take Care. I just don’t know where yet.

Photo
Drake & Slim K - Take Care: The Prelude (Chopped & Screwed) (datpiff, 2011)
There was a time where I would’ve been worried about including Drake’s music on this blog, because despite being a longtime fan (and writing about his music in this blog’s early incarnation - when no one read it), the readers I garnered never took kindly to young Aubrey. Nothing’s really changed about that except for the simple fact that I rarely contribute anything on the internet anymore, so I’m going off the notion that no one is paying attention. 
Slim K is best known around our circles for his beautifully slowed renditions of ASAP Rocky’s leaked tracks. It seems only right that Slim would also be able to expertly screw Drake’s music, not only because Rocky will be on Drake’s forthcoming Club Paradise tour, but also due to both artists’ similar quiet storm aesthetics.
Dreams Money Can Buy was already melancholic before Slim got ahead of it, but with the tempo slowed to a snail’s pace, it takes on a new life of its own. The same can be said of Marvin’s Room and this tape’s highlight, Trust Issues, which strikes even more of the paranoid-laden notes it was attempting to reach than the original. Even Future, 2011’s MVP, has his hit single Tunney Muntannah get a new life breathed into it by Slim’s treatment. And Drake’s verse doesn’t sound as out of place here! (it’s still a pretty awkward place for a Drake verse, but it’s something, y’know?)

Drake & Slim K - Take Care: The Prelude (Chopped & Screwed) (datpiff, 2011)

There was a time where I would’ve been worried about including Drake’s music on this blog, because despite being a longtime fan (and writing about his music in this blog’s early incarnation - when no one read it), the readers I garnered never took kindly to young Aubrey. Nothing’s really changed about that except for the simple fact that I rarely contribute anything on the internet anymore, so I’m going off the notion that no one is paying attention. 

Slim K is best known around our circles for his beautifully slowed renditions of ASAP Rocky’s leaked tracks. It seems only right that Slim would also be able to expertly screw Drake’s music, not only because Rocky will be on Drake’s forthcoming Club Paradise tour, but also due to both artists’ similar quiet storm aesthetics.

Dreams Money Can Buy was already melancholic before Slim got ahead of it, but with the tempo slowed to a snail’s pace, it takes on a new life of its own. The same can be said of Marvin’s Room and this tape’s highlight, Trust Issues, which strikes even more of the paranoid-laden notes it was attempting to reach than the original. Even Future, 2011’s MVP, has his hit single Tunney Muntannah get a new life breathed into it by Slim’s treatment. And Drake’s verse doesn’t sound as out of place here! (it’s still a pretty awkward place for a Drake verse, but it’s something, y’know?)

Text

YAYODANCING :: BEST OF 2010

I haven’t written much lately. I hope this makes up for it.

Albums:

1. Kanye West - My Beautiful Dark Twisted Fantasy :: Kanye’s fifth album in six years is his most fully realized to date; an epic prog-rock inspired album full of songs that often go onto long, but never feel cluttered. This is going to be many writers’ number one, and with perfect reason.

2. Waka Flocka Flame - Flockaveli :: Flockaveli isn’t shocking or profound, and it isn’t likely to leave listeners and bystanders (so) appalled; but it harkens back to the days when hip-hop albums had that type of effect on people. Lex Luger and Waka Flocka are the perfect producer/rapper duo in 2010, and on Flockaveli, they could do no wrong. An almost flawless debut, and a personal, biased favorite.

3. Domo Genesis - Rolling Papers :: If I could place BASTARD here, I would, but it’d be unfair as it was released in the tailend of 2009; Domo’s Rolling Papers is the most fully realized project to come out of the OFWGKTA camp this year, as EARL was too short in length and Blackenedwhite was a rather bumpy, though exciting ride. Domo is looked at as one of the weaker links of Odd Future, but he’s easily my third favorite behind the Tyler and his brother; he has an effortless cool that more seasoned veterans like Gucci and Curren$y possess, despite being a stoner-rap staple, he has a wonderful idea of conceptual songs.

4. Diddy-Dirty Money - Last Train To Paris :: I honestly don’t care how anyone feels about Diddy as a person or an artist (he mooches off his dead best friend, hypes up rappers long past their initial due date, doesn’t write or produce his own music), he consistently releases great albums, and Last Train To Paris is one of his strongest yet. It’s not heavy on rapping, but the little bit that is here is competent enough, and the ensemble cast that Diddy gathered to feature really take this album to extra lengths. The production is just masterful; this weird little electro-hop album is one of the most refreshing things I’ve heard all year.

5. Curren$y - Pilot Talk :: Pilot Talk II may’ve found more praise amongst my circle of bloggers, but Pilot Talk is far more appealing to me than the good, but flawed follow-up. Curren$y’s pen game might not be a sharp on the predecessor, but his presence here is nearly unmatchable; making rhymes about eating chips and playing NBA2K sound as glorious as they ever have, all whilst admiring the view from his hotel suite. Ski Beats provided a lush layout for his stoner-charm, and this became the feel good album of the summer.

continue after the jump..

Read More

Video

Diddy/Dirty Money (feat. Drake) - Loving You No More (Bad Boy, 2010)

Diddy, Drake, pianos, and a chick that sounds like Brandy. Hey, I’m more than happy with that. Plus, come on, Drake raps about finding pieces of hair from an ex-lover in his sink, and having her panties in the dryer (how often do you do laundry, Aubrey?) How can you not cringe at that while retaining half a smirk?

Text

Chris Brown (feat. Drake, T.I., Kanye West, Fabolous & Andre 3000) - Deuces (remix)

Chris Breezy (feat. Drizzy, Tip, Tudda, Loso & Three Stacks) - Deuces (remix) (internet, 2010)

This is clean at the moment, which is frustrating, because I’d probably be able to listen to this on loop for quite a while without the censorship. The original Deuces beat drops out in the beginning for Drake’s verse, then returns for Clifford’s and the following verses. What everyone is going to focus on here is the return of Three Stacks; and yes, he delivers a classic stream-of-consciousness flow that he’s become famous for. I’ll be honest, I still prefer Gucci’s remix of this to everyone on here - but alas, I’m biased, am I not?

Video

Rick Ross (feat. Drake & Chrisette Michele) - Aston Martin Music (Def Jam, 2010)

The latest single from Rick Ross’s Teflon Don, and one of my personal favorites. They tacked on Drake’s Paris Morton Music verse on the end as well - the video is supposed to have an underlying story (I guess of Officer Ricky loving a girl when he was younger, whose father owned an Aston, but wouldn’t let them be together? So he came back with an Aston and picked her up? Okay, sure), but fuck that, it’s smooth and features a couple dozen cars we’ll never be able to afford. It’s that Yacht music that’s become so popular in the last three years or so at its finest.

Link

The first leak off the Naked Soul Of Sweet Jones, which’ll probably be better than Trill O.G. in reality. That’s some campy artwork, but regardless, I’m still excited for some unreleased Pimp. I know that a lotta of his fanbase is not going to be happy with the inclusion of Drake here, but if it gets Pimp’s album released, what’s the problem? I think this song is done pretty well, and boi-1da’s beat is one of the better ones he’s done in recent memory.