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Waka Flocka Flame - Interlude (Mixtape, 2013)

Waka’s career has been in a strange place these last couple years. He tried crossing over with Triple F Life - a move that worked even if none of his own singles charted, as the “Scream & Shout” remix has cemented Flocka’s place amongst the pop world. He appeared on a song with Kaskade and The Cataracs, and now he claims he’s working on an electro album. He’s released a series of mixtapes that are almost indistinguishable from one another since Slim Dunkin passed, and I didn’t have any hopes for Flocka after his recent exodus from Gucci’s Brick Squad.

Yet, here on Flocka’s Duflocka Rant: Halftime Show, he releases arguably one of his most reflective projects, rapping over everything from jazz to The-Dream samples, fully realizing the potential that the Intro and Outro from Triple F Life hinted at. The tape has seemingly dropped with little fanfare - Gucci’s Chief Keef assisted single from Trap House 3 has gotten more attention, and it deserves all its gotten, but Halftime Show is the best thing Flocka’s done since, at least, Lebron Flocka James 3. It’s not a return to form, per se, as it’s more of a dramatic departure from Flocka’s traditional sound. Waka’s flow no longer consists of the primal screams of his last couple tapes - a sound that started off very interesting, but turned into a crutch lately. Instead, Waka reels it in to bring life to the real drama that’s surrounded him this past year and a half, a time which has arguably been the most important transitional period of his career whether it’s been creatively productive or not.

With Halftime Show, it seems that Flocka is finally starting to figure out what he wants to do with the second phase of his career - just in time, considering Flockaveli 2 is still scheduled for release sometime this year. Though some of his hardcore fanbase maybe upset with features from Avery Storm and the absence of the aggro style Flocka popularized, Duflocka Rant: Halftime Show still deserves to be celebrated for Flocka’s return from creative purgatory. 

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Chill Will - O.V.A. (Mixtape, 2013)
Chill Will has returned! Not that anyone knew he left. Or who he is. Regardless, I’ve gushed enough over Will in the past, so all I can really do is further endorse the most underutilized, underpublicized Brick Squad affiliate. Also, if he’s still releasing mixtapes, someone other than me has to be listening, right?

Chill Will - O.V.A. (Mixtape, 2013)

Chill Will has returned! Not that anyone knew he left. Or who he is. Regardless, I’ve gushed enough over Will in the past, so all I can really do is further endorse the most underutilized, underpublicized Brick Squad affiliate. Also, if he’s still releasing mixtapes, someone other than me has to be listening, right?

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Gucci Mane (feat. Lil Wayne) - Runnin’ Circles (Mixtape, 2013)

Is this Gucci’s “My”? Gucci’s having a lot of fun on Trap God 2, which is revitalizing after the anger sprayed off in every direction on the first installment. He also utilizes Zay more on this tape than he has in years, no doubt as a result of his resurgence after his work on Street Lottery

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KE On The Track (feat. Future) - Dark Side (mixtape, 2013)

KE released the second installment in his EDM Nation mixtape at the top of the year, and Future proceeded to rap on one of KE’s dance-ready tracks. The result is pretty great, albeit tragically short. 

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Waka Flocka Flame (feat. French Montana and Frenchie Montana) - Anything But Broke (Mixtape, 2013)

Last year, after the roughest 12 months of Waka’s career, and presumably one of the hardest years of his life after losing close friend Slim Dunkin, many people assumed Waka had fallen off. His sophomore album, though good, was offset by a number of forced crossover attempts that did nothing to increase his fanbase, only agitating his tried and true fans, the same ones he named a third of the album after. He tried to give back to those same fans with Salute Me Or Shoot Me 4, and even though it didn’t suffer from the problems that Triple F Life did, it also felt incredibly rushed, with most songs sounding almost identical to one another. It didn’t help that Chief Keef emerged from the same gunsmoke that Waka did 3 years earlier, only he brought with him an even more youthful vigor and the murder capitol. Keef was dead-eyed and intimidating upon his initial arrival, almost rendering Flocka’s increasingly cartoonish violence ineffective, and it almost seemed like Waka might sadly move into self parody territory if he kept going down the path he’d set himself on.

Waka wastes no time in 2013 to jump completely out of the slump he found himself in with his best project since the first DuFlocka Rant (10 Toes Down). He is increasingly pissed off, and the light-heartedness that he’s brought to his raps since the mainstream more widely accepted him is all but absent here, with the only real exception being the brilliant, whispered “College Girl.” Maybe the best example of this is on “Anything But Broke,” where Flocka lets loose of a true gem of nihilistic writing.  Gangsta rap has always been a nihilistic genre, but Waka’s chorus takes it a step further here with the line “we gonna fight and fucking shoot until our souls disappear.” The same Waka that was riding a segway in a cowboy hat last year is rapping about his very soul ceasing to exist in 2013, and I couldn’t be any more excited about it.

Du Flocka Rant 2 is exactly what we all needed to kick off this sure to be solemn year. 

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Future Presents F.B.G. - The Movie (Mixtape, 2013)
Future’s back with the rest of Freebandz to drop this all new mixtape. Somewhere, there’s a Sisqo feature. 

Future Presents F.B.G. - The Movie (Mixtape, 2013)

Future’s back with the rest of Freebandz to drop this all new mixtape. Somewhere, there’s a Sisqo feature. 

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Boyz N Da Hood (feat. Yung Joc) - Nothing Is Promised (Bad Boy, 2007)

Nothing is promised today (not now or never nigga)
things can fade away (like a muhfuckin’ jumpshot)
be careful where you’re walking when you’re talking in your sleep (uh-huh)
we can hear you from a mile away, the streets can talk to me (keep quiet) 

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Verse Simmonds (feat. Red Cafe & Gucci Mane) - Shake Dat (Mixtape, 2012)

Like Gucci and Sean Garrett of yore, Verse Simmonds and Gucci are virtually incapable of making a bad song this year. Their collaboration started on I’m Up, on R&B-tinged standout “Wish You Would.” They continued this great chemistry on the Shawty Redd produced “Never See” off Trap God, and here, they hook up again(along with the omnipresent Ghost of Obie Trice also known as Red Cafe) for Verse’s own song. A very nuanced, almost modern-quiet storm instrumental makes up the foundation of the track for Verse to shine vocally yet again, while Red Cafe manages not to mess up the flow of the track (does anyone else think he sounds like a Brooklynite Arnold Schwarzeneger on his “SHAKE DOOOOOOWN” adlib?), but it’s Gucci who really steals the show with lines like “she got my dick standing at attention like an army veteran.”

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Chill Will - Dope Dance (Mixtape, 2012)

Chill Will’s Real Shit mixtape dropped on September 30th, but I was MIA and no one else knows he exists. Please change that, and support Chill Will. He’s all about his dividends, and you should be too. 

“see, I came out the pussy, but I’mma end up in the dirt”

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Gucci Mane (feat. Future) - Fuck The World (Brick Squad, 2012)

Gucci and Future have finally found their stride this year as a duo after a string of disappointing projects last year (including the enjoyable, yet entirely uneven FreeBricks), and “Fuck The World” is just another exercise in this new found chemistry. It helps that Mike Will helmed the song, and with the resurgence of creativity he’s brought to Gucci this year, along with his musical soulmate Future, this was bound to succeed even if all the elements didn’t come together.

“Fuck The World” certainly isn’t a perfect record, and that’s really no one’s fault but Gucci’s. Even though Gucci manages to come out looking strong in the end due to some unexpected disses directed at Yung Joc and Block Ent., he’s clearly coasting here, and sounds mostly uninspired. When he says “I did a song with Lil Wayne and I killed it,” rhyming the previous line with “killed it” yet again, you’ll be longing for the days of “AK47 hit ya everywhere from the ankle up”. 

Truthfully, this song could’ve failed without Future; but Future’s slightly angsty, but mostly resilient chorus is a beautiful thing to behold. That’s not even touching on his verse, which caps off the song, where he once again visits his sickle-cell-ridden sister from “Bigger Picture,” and the cousin who killed himself in “Deeper Than The Ocean.” Future really gives you a reason for his fuck the world mentality, and its his positive demeanor while spouting off these terrible life events that makes this verse truly motivational.